I don’t do it often, but every once in a while I share what happened after the words “THE END” in one of my stories. I usually try to leave it at a very specific place to create a very specific emotional resonance, but that doesn’t mean that the characters’ lives ended where the story did. And while I fully support the emotional right of my audience to imagine anything they want after the place I left off, that doesn’t mean I don’t have an opinion. This time, I’m going to share with you my thoughts on what happened after the end of “Miss You”. (If you don’t remember the story, you may want to refresh your memory of it here.)
From the Wikipedia entry on “Dr. Martens”:
The first Dr. Martens boots in the United Kingdom came out on 1 April 1960 (known as style 1460 and still in production today), with an eight-eyelet oxblood coloured smooth leather design. Dr. Martens boots were made in their Cobbs Lane factory in Wollaston, Northamptonshire (which is still operating today).[3] In addition, a number of shoe manufacturers in the Northamptonshire area produced DM’s under license, as long as they passed quality standards. The boots were popular among workers such as postmen, police officers and factory workers. By the early 1970s, skinheads started wearing them, and by the late 1980s, they were popular among scooter riders, punks, some new wave musicians, and members of other youth subcultures.[5] The shoes’ popularity among skinheads led to the brand gaining an association with violence.[5] Alexei Sayle sang the song “Dr. Martens’ Boots” in a 1982 episode of the British TV comedy The Young Ones.
What the Wikipedia entry failed to mention was that many styles of Doc Martens, including in particular the ones that Fujiko wore constantly, had steel toes. Not that she’d selected them for that–she worked in a coffee shop, and had very few concerns about heavy things landing on her feet–but the particular style she liked was a work boot, and steel toes were part of the package. It made dancing a bit more dangerous, but most of her friends had learned to give her a bit of a wide berth when the music got energetic. Fuji might not have been tall, but heavy, steel-toed Doc Marten work boots turned her feet into deadly, if inaccurate and usually inadvertent weapons on the dance floor.
At this range, though, accuracy wasn’t a problem. Fujiko’s steel-toed Doc Martens made a very satisfying *THUMP* as they connected with Roger’s genitals, and he crumpled to the floor as if he’d been shot.
Cho still didn’t let go of Fujiko, though. She hadn’t been commanded to yet. She kept Fujiko’s arms pinned to her sides as she held her with an inhuman determination, apparently oblivious to her surroundings. This turned out to be unfortunate for Roger, as it meant that Fujiko could kick him with both feet. “You! Stupid! Idiotic! Dumbass! Jerk!” Fujiko shouted, her words punctuated by another steel-toed blow. “GRR!”
After a few moments, when it became clear that Roger’s interests had changed from ‘hypnotizing Fujiko’ to ‘protecting his face and genitals’, Fuji reached awkwardly into her pocket for her cell phone. It wasn’t entirely easy, because she couldn’t move her arms very well, but after a few moments she managed to pull it out. She dialed 911 and shouted as loudly as she could towards the phone she still couldn’t put to her mouth, “Hi! I’m at the Palace Hills apartments–I can’t remember the apartment number but it belongs to Roger Wilding–and I came to talk to him but he won’t let me leave!” She heard a response, and shouted back, “I can’t hear you–my arms are pinned and I can’t put the phone to my ear! Can you send someone?” The response this time was still garbled, but loud enough and filled with enough concern that Fuji could pick up the gist of it. “No,” she said, giving Roger another kick, “I’m not in immediate danger.”
***
The police turned out to be a little more amused about the whole thing than Fuji thought they should be. Roger whispered something in Cho’s ear and she let Fujiko go, and he mumbled something through an already-swollen face about how his girlfriend and his ex-girlfriend got into a fight and he got in the way of it. The responding officer didn’t look like he was buying it much, since neither Fuji nor Cho had a scratch on them, but he dutifully asked if Roger wanted to press charges against either of the four-and-a-half foot tall girls who had apparently beaten him up “by accident”. Unsurprisingly, Roger declined.
“Alright, then,” Fujiko said. “Looks like we’re leaving.”
“We?” said the officer, Cho, and Roger more or less simultaneously. The officer just looked bemused; Fuji was pretty sure he was going to be telling this one back at the station. Cho looked baffled, and more than a little bit dazed; she seemed like she was still in her happy place a bit. And Roger was giving her the puppy eyes in bulk volume.
“We,” Fujiko said, definitively. She looked Roger in the eyes with a challenging stare. “Do you have an issue with that? One that you’d like to hash out in detail right now?”
Roger looked down, suddenly seeming very conscious of the officer’s presence. “No,” he said. “It’s okay, she’s…um, you know, she’s her own person. She can do what she wants.” Hearing that made Fujiko want to start kicking him again, but she tamped it down.
Cho said, “If I get a say in this–”
Fujiko shook her head. “No, I really don’t think that’s a good idea. Let’s go.” She took Cho’s hand, counting on the fact that Cho still sounded a little spacey and had spent who-knows-how-long being conditioned to accept people telling her what to do. Sure enough, Cho meekly let herself be trotted out to the parking lot and bundled into Fujiko’s car. They waved to the officer, who probably thought they were twin sisters or something, and pulled out.
Cho still had that look of bemusement on her face that made Fujiko want to give her a big hug and tell her everything was going to be okay. “What about Roger?” she asked, her voice slightly plaintive. “Is he going to be okay?”
Fujiko tried to push her anger at Roger aside and focus on the person beside her. “Let’s let Roger worry about Roger for a little while. You need to take some time for yourself, Cho.”
“…cho…” She sounded a little lost when she heard the name, like she was having difficulty connecting it to herself. Fujiko made a mental note to go look up some books on hypnosis when she got back to the apartment–she hadn’t planned on taking in strays, but Cho needed someone.
She reached over and took the other woman’s hand in hers. “Cho,” she said, “everything really is going to be okay.” It wasn’t a hug, but it’d have to do.